Time- worn vaudevillian routines were repeated over- and- over to audiances who knew all the lines, but felt shorted if they were not subjected to another serving of the same old stitch. Three of the oft repeated routines were the “Right- toe,” “Seersucker,” and “Singer”. Whoever was serving as emcee, introducing the other group members, would single- out one of the guys and ask a series of questions. In reply to each question posed, the member being introduced would reply, “right- toe.” After about a dozen replies of, “Right- toe.” the emcee would stop and ask, “Why do you keep saying, right- toe?” The stock answer was always, “You’re standing on my right toe!” All pure corn.

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The audiance would chuckle, moan and groan. In the Seersucker routine the emcee would comment, during the introduction of a member, that he really liked his suit, and would inquiry as to what type of fabric the suit was made.

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The reply would be that the suit was seersucker, adding, “The suit was at Sears, and I’m the sucker who bought it.” More corn, piled a little higher. As a side note for those in the twenty- first century, who may not be familiar with seersucker, it is a light- weight all- cotton fabric that became popular for spring and summer clothing. According to Wikipedia, the word originated from the Persian “shir o shekar,” that means “milk and sugar,” probably due to the smooth and rough texture pattern of the fabric. Then there would be the Singer routine where the emcee would say that the member being introduced came from a long line of singers.. Rim shot please! It was always the same old corn, time and time again, and amazingly, it always sold. XXXXEasmon had a popular routine where he would tell the “Fight Yarn,” a droll recounting of his childhood encounter with a school- yard bully. He would tell of how he went about whipping- up on the bully by ramming his stomach into the bully’s head, punching his eye into his opponent’s fist, and by putting his nose between the bully’s teeth.

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There would be a lot of knee- slapping, spitting and sputtering, and gasping for air, and that was just from the audience! The story became so often requested, that Easmon finally put it on the group’s first Lee. Mac record, a combination country and gospel project, The Plainsmen Sing Your Requests.

Easmon would also do a little slap- stick routine, where he would launch into a long two- handed arpeggio up the ivories, culminating with his hands flying off the end of the keyboard, and hurling himself off the piano bench onto the stage. The audiance would laugh and squeal. XXXXIn 1. 97. 0, I had already taken several broadcasting courses at Wichita State University, and was doing some on- air work at KMUW- FM, the on- campus station.

Mack Sanders got wind of my college studies and offered to send me to broadcasting school in Dallas, Texas, if I would come back and work for him. I was appreciative of his offer, and gave it due consideration, but I decided that I was more interested in making music, than in spinning other folks music on the radio. So, I chose to pass on his kind offer. XXXXThe same year, with the Plainsmen facing an ever increasing travel schedule, Jill and I took over the studio and music store from Easmon. We continued to sell pianos and organs, brought in a guitar teacher, an organ instructor, with Jill and I giving private lessons to eighty- five piano students each week, and Jerry Minshall giving voice lessons. These were college years, and both Jill and I were involved on the music staff of our local church. Sex Dating In Bennett Colorado.

We soon learned that we were not cut- out to be proprietors. You are the first to arrive and the last to leave. Come to think of it, its like having your own group. Jason and I, with the other group members, are usually the first to arrive at a venue and the last to leave! After a couple of years Jill and I decided to merge with another music store and teaching studio in Wichita. In 1. 97. 2, I graduated from WSU with a degree in Graphic Design, and went to work for an advertising / publishing company.

In the fall of 1. I spent a short time filling- in on piano with the Telestials, who were working out of the south Georgia town of Quitman. It was while I was with the Telestials I received a call from Jill that we were going to become parents, and on March 2. Jason appeared on the planet. In November of 1. Jeune Garcon Qui Rencontre Une Jeune Étudiante Marocaine. U- Haul truck and headed to Nashville. XXXXAfter 1. 97. 0, I had less contact with the Plainsmen.

I attended an occasional concert, but lost all contact with Easmon and the guys when I relocated to Nashville. The group continued to preform and record. In late 1. 97. 0 to early 1. Plainsmen - He’s The Lily Of The Valley was then released on Wayne Raney’s Rimrock Records. At the time, Wayne had a recording studio in the north- central Arkansas town of Concord. Wayne, a harmonica player, song writer, and singer, was born in Wolf Bayou, a small community near Batesville, Arkansas, in 1.

He became popular in the 1. Harmonica Blues,” “Lost John Boogie,” and, “Jack and Jill Boogie.”.